Same-Sex Desire in Early Modern England, 1550-1735
by
Shakespeare's Greatest Love
by
Relying on historical and literary evidence hidden in plain sight, Shakespeare's Greatest Love tells the true, uncensored love story of William Shakespeare and Henry Wriothesley, 3rd Earl of Southampton. "Shall I compare thee to a summer's day? Thou art more lovely and more temperate." --Shakespeare's Sonnet 18, written for and about Southampton. Leaving behind a wife and three young children in Stratford-upon-Avon, Shakespeare moved to London for its thrilling theater scene, where everyone mixed freely across ages, classes, and ranks. It was through their mutual passion for the theater that the handsome twenty-seven-year-old playwright first met and fell deeply in love with the effeminate seventeen-year-old earl who beguiled men and women alike and avowed that 'desire and pleasure [should] sometimes triumph over reason.' Author David Medina demonstrates that Shakespeare wrote more of his plays and poems for and about Southampton than anyone else--works that are sexually charged, romantic, and homoerotic. He also chronicles the evidence that Southampton provided Shakespeare the support he needed to secure his acting company share, coat of arms, family residence, royal commission, life portrait, and funerary bust. Shakespeare and Southampton's personal and professional relationship evolved privately and publicly over a quarter century against the backdrop of a national anti-sodomy law, multiple plague outbreaks, unexpected pregnancies, rushed and possibly forced marriages, a failed rebellion, and political imprisonments. Shakespeare's Greatest Love challenges us all to recognize Southampton as the individual who had the most significant impact on Shakespeare's life, literature, and legacy.
Shakespeare: The World As Stage
by
Bill Bryson's bestselling biography of William Shakespeare takes the reader on an enthralling tour through Elizabethan England and the eccentricities of Shakespearean scholarship--updated with a new introduction by the author to commemorate the 400th anniversary of Shakespeare's death William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself. His Shakespeare is like no one else's--the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivaled in our time.
Shakespeare and Biography
by
A study of what biographers have said about Shakespeare--from the first formal biography in the early 18th century by Nicholas Rowe, to others who have written recent biographical accounts. The emphasis is on what sorts of issues these biographers have found especially interesting, how contemplation of these issues has changed and grown, and the ways those changes reflect new cultural developments in our world as it continues to reinterpret Shakespeare.
Shakespeare and Queer Representation
by
Shakesqueer
by
Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare. Exploring what is odd, eccentric, and unexpected in the Bard's plays and poems, these theorists highlight not only the many ways that Shakespeare can be queered but also the many ways that Shakespeare can enrich queer theory. This innovative anthology reveals an early modern playwright insistently returning to questions of language, identity, and temporality, themes central to contemporary queer theory. Since many of the contributors do not study early modern literature, Shakesqueer takes queer theory back and brings Shakespeare forward, challenging the chronological confinement of queer theory to the last two hundred years. The book also challenges conceptual certainties that have narrowly equated queerness with homosexuality. Chasing all manner of stray desires through every one of Shakespeare's plays and poems, the contributors cross temporal, animal, theoretical, and sexual boundaries with abandon. Claiming adherence to no one school of thought, the essays consider The Winter's Tale alongside network TV, Hamlet in relation to the death drive, King John as a history of queer theory, and Much Ado About Nothing in tune with a Sondheim musical. Together they expand the reach of queerness and queer critique across chronologies, methodologies, and bodies. Contributors. Matt Bell, Amanda Berry, Daniel Boyarin, Judith Brown, Steven Bruhm, Peter Coviello, Julie Crawford, Drew Daniel, Mario DiGangi, Lee Edelman, Jason Edwards, Aranye Fradenburg, Carla Freccero, Daniel Juan Gil, Jonathan Goldberg, Jody Greene, Stephen Guy-Bray, Ellis Hanson, Sharon Holland, Cary Howie, Lynne Huffer, Barbara Johnson, Hector Kollias, James Kuzner , Arthur L. Little Jr., Philip Lorenz, Heather Love, Jeffrey Masten, Robert McRuer , Madhavi Menon, Michael Moon, Paul Morrison, Andrew Nicholls, Kevin Ohi, Patrick R. O'Malley, Ann Pellegrini, Richard Rambuss, Valerie Rohy, Bethany Schneider, Kathryn Schwarz, Laurie Shannon, Ashley T. Shelden, Alan Sinfield, Bruce Smith, Karl Steel, Kathryn Bond Stockton, Amy Villarejo, Julian Yates
Twelfth Night: Character Studies
by
The characters of Twelfth Night are both memorable and engaging and it is through their funny, and at times bitter, interplay that we experience the peculiar world of Shakespeare's Illyria. This study begins with a introduction to the concept of "characters" on the early-modern stage before proceeding to a textual analysis of each of the main characters in the play, looking at how what they say and do, and what is said about them, creates the illusion of "character". Each chapter also contains a brief account of key performances by actors on stage and in film.
