New Yorker Review: Brokeback Mountain"Brokeback Mountain" is a short story by American author Annie Proulx. It was originally published in The New Yorker on October 13, 1997, for which it won the National Magazine Award for Fiction in 1998. Published in the print edition of the October 13, 1997, issue.
Brokeback Mountain by Gary NeedhamThis book examines Brokeback Mountain in relation to indie cinema, genre, spectatorship, editing, and homosexuality. In doing so it brings film studies and queer theory into dialogue with one another and explains the importance of Brokeback Mountain as both a contemporary independent and queer film. Key Features" Provides an overview of Focus Features as a hybrid company operating across both the mainstream and independent cinema sectors. " Analyses Brokeback Mountain as a Western and places it within an enduring historical and cultural context of relations between homosexuality and the genre." Analyses Brokeback Mountain as a melodrama examining the film's relationship to concepts of pathos, backward feeling and passivity." Proposes a new way of thinking about gay spectatorship that takes into account how editing and cruising relate to one another.
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Annie Proulx's Brokeback Mountain and Postcards by Mark AsquithThis guide to Annie Proulx's novel Postcards and her short story Brokeback Mountain features a biography of the author, a full-length analysis of the texts, a summary of the their popular and critical reception, a discussion of the recent film adaptation of Brokeback Mountain and its reception and a great deal more. If you are studying either text, reading them for your book club, or if you simply want to know more, you'll find this guide informative, intelligent, and helpful.